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LOUIS ARMSTRONG ルイ・アームストロング

Integrale Vol.12 - New Orleans 1946-1947 全録音集 VOL.12


レーベル: FREMEAUX & ASSOCIES
カテゴリ:ジャズ/アメリカ合衆国 ジャンル:ジャズ
国:U.S.A. 録音・発売年:1946-1947 メディア:3CD

価格:3400円 オーダーナンバー:FA-1362

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◆セール対象外◆
仏フレモー社によるダニエル・ヌヴェール監修の「ルイ・アームストロング全録音集」の第12巻。1946年のデッカへのエラ・フィッツジェラルドとの共演録音やバンドリーダー役で出演した47年の映画『ニューオーリンズ』のための録音(ビリー・ホリデイをフィーチャーしたナンバーあり)、エドモンド・ホール・セクステットとの47年のカーネギー・ホールでのコンサートなど、全67トラックを3枚組みに収めています。仏語/英語併記による32ページ・ブックレット付。

曲目表:

ESQUIRE ALL-AMERICANS AWARD WINNERS
Louis ARMSTRONG (tp, voc)?; Charlie SHAVERS (tp sur/on 1)?; Neal HEFTI (tp sur/on 2)?; Jimmy HAMILTON (cl)?; Johnny HODGES (as)?; Carlos W. “Don” BYAS (ts)?; Duke ELLINGTON (p, pres)?; Billy STRAYHORN (p sur/on 2)?; Remo PALMIERI (g)?; Grieg “Chubby” JACKSON (b)?; William “Sonny” GREER (dm)?; Leonard FEATHER (arr).
New York City, 10/01/1946
1. LONG LONG JOURNEY (L.Feather)
(RCA-Victor 40-4001/mx.PD6-VC-5020-1) 4’30
2. SNAFU (L.Feather)
(RCA-Victor 40-4001/mx.PD6-VC-5021-1) 4’12

LOUIS ARMSTRONG AND ELLA FITZGERALD with BOB HAGGART’S ORCHESTRA
Louis ARMSTRONG (tp, voc)?; Billy BUTTERFIELD (tp)?; Bill STEGMEYER (cl, as)?; George KOENIG (as)?; Jack GREENBERG, Art DRELINGER (ts)?; Milton SCHATZ (bar sax)?; Joe BUSHKIN (p)?; Danni PERRI (g)?; Trigger ALPERT (b)?; William “Cozy” COLE (dm)?; Ella FITZGERALD (voc)?; Bob HAGGART (dir). New York City, 18/01/1946
3. YOU WON’T BE SATISFIED(F.James-L.Stock) (Decca 23496/mx.W 73285-A) 2’52
4. THE FRIM FRAM SAUCE (J.Ricardel-R.Evans) (Decca 23496/mx.W 73286-A) 3’12

LOUIS ARMSTRONG AND HIS ORCHESTRA
Louis ARMSTRONG (tp, voc)?; Ed MULLENS, Ludwig JORDAN, William “Chifie” SCOTT, Andrew “Fatso” FORD (tp)?; Adam MARTIN, Norman POWE, Al COBB, Russell “Big Chief” MOORE (tb)?; Don HILL, Amos GORDON (as)?; John SPARROW (ts)?; Joe GARLAND (ts, ldr)?; Ernest THOMPSON (bar sax)?; Ed SWANSTON (p)?; Elmer WARNER (g)?; Arvell SHAW (b)?; George “Butch” BALLARD (dm)?; Velma MIDDLETON (voc). New York City, 27/04/1946
5. LINGER IN MY ARMS A LITTLE LONGER (H.Magdison) (RCA-Victor 20-1912/mx.D6-VB-1736-1) 2’58
6. WHATTA GONNA DO? (Skylarck-Lewis) (RCA-Victor 20-1891/mx.D6-VB-1737-1) 2’54
7. NO VARIETY BLUES (L.Armstrong-Fairbanks) (RCA-Victor 20-1891/mx.D6-VB-1738-2) 2’53
8. JOSEPH AND HIS BRUDDERS (L.Armstrong-Bell) (RCA-Victor 20-2612/mx.D6-VB-1739-1) 3’01
9. BACK O’ TOWN BLUES (L.Amstrong-L.Russell) (RCA-Victor 20-1912/mx.D6-VB-1740- ) 3’15

LOUIS ARMSTRONG AND HIS HOT SEVEN (10 & 12) / HIS HOT SIX (11 & 13)
Louis ARMSTRONG (tp, voc)?; Victor “Vic” DICKENSON (tb)?; Barney BIGARD (cl)?; Charlie BEAL (p)?; Allen REUSS (g)?; Red CALLENDER (b)?; Zutty SINGLETON (dm). Los Angeles, 6/09/1946
10. I WANT A LITTLE GIRL (Moll-Mencher) (Swing 223/mx.D6-VB-2149-1) 3’00
11. SUGAR (M.Pinkard-Mitchell-Alexander) (Swing 251/mx.D6-VB-2150-1) 3’23
12. BLUES FOR YESTERDAY (L.Carr) (Swing 223/mx.D6-VB-2151-1) 2’35
13. BLUES FOR THE SOUTH (W.Johnstone) (Swing 251/mx.D6-VB-2152-1) 3’01

“NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS
Louis ARMSTRONG (tp, voc)?; Edward “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL (p)?; Arthur “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; Arthur “Zutty” SINGLETON(dm)?; plus George KENNEDY, Charles YUKL (tp)?; Ellis RONKA, Murray McEACHERN (tb)?; Robert HENNON, John HAMILTON (cl, ts)?; Phillip MURROW (bars)?; George E. GREEN (tuba)?; John BOUDREAUX (dm).
Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946
14. FLEE AS A BIRD (trad)/WHEN THE SAINTS GO MARCHIN’ IN (trad) (TMX 1-3 & 3A-5) 3’08

Septet as for 14. Moins les 9 / minus the 9 studio musicians.
Mêmes lieu & date / Same place & date
15. WEST END BLUES (J.Oliver) (TMX 7-3) 2’49
16. TIGER RAG (D.J.LaRocca) (TMX 33-3) 2’21
17. WHERE THE BLUES WERE BORN IN NEW ORLEANS (Capleton-Dixon) (TMX 42- ) 4’36
18. BUDDY BOLDEN BLUES (2 takes) (F.Morton) (TMX 53 G1-3&G1-4) 1’44
19. BASIN STREET BLUES (Sp.Williams) (TMX 53 S41/42) 4’42
20. RAYMOND STREET BLUES plus 4 HIGH NOTES ON TRUMPET
(L.Armstrong) (TMX 53 G2-3) 1’24
21. MARYLAND, MY MARYLAND (trad) (TMX 81 ?) 2’59

Louis ARMSTRONG (tp) & prob. Arthur SCHUTT (p)
Mêmes lieu & date / Same place & date
22. BRAHMS’ LULLABY (J.Brahms) (TMX 30 B-2) 0’45

Septet as for 15 to 21. Billie HOLIDAY & chœur/choir (voc)
Mêmes lieu & date / Same place & date
23. FAREWELL TO STORYVILLE (Good Time Flat Blues)
(C.Williams) (TMX 84) 3’13


“NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS
Louis ARMSTRONG (tp, voc)?; “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL(P)?; A. “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; A. “Zutty” SINGLETON (dm). Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946
1. MILENBERG JOYS (P.Mares-L.Roppolo-F.Morton)
(TMX 62-4) 1’54

Septet as for 1. Plus Thomas “Mutt” CAREY (tp) & Eli “Lucky” THOMPSON (ts).
Mêmes lieu & date / Same place & date
2. DIPPERMOUTH BLUES (lent/slow)
(J.Oliver-L.Armstrong) (TMX 120-1) 1’21
3. DIPPERMOUTH BLUES (rapide/fast) (J.Oliver-L.Armstrong) (TMX 120-4) 1’33
4. SHIMME-SHA-WABLE (S.Williams) (TMX 130-1) 2’04
5. BALLIN’ THE JACK (C.Smith) (TMX 131-2) 2’06
6. KING PORTER STOMP (F.Morton) (TMX 149-2) 2’32
7. MAHOGANY HALL STOMP (lent/slow) (S.Williams) (TMX 183-1) 3’27
8. MAHOGANY HALL STOMP (rapide/fast) (S.Williams) (TMX 182-5) 3’32

LOUIS ARMSTRONG AND HIS ORCHESTRA
Louis ARMSTRONG (tp, voc)?; Robert BUTLER, Louis GRAY, Ed MULLENS, Andrew “Fatso” FORD (tp)?; Russell “Big Chief” MOORE, Wadder WILLIAMS, Nat ALLEN, James WHITNEY (tb)?; Don HILL, Amos GORDON (as)?; John SPARROW (ts)?; Joe GARLAND (ts, dir)?; Ernest THOMPSON (bars)?; Earl MASON (p)?; Elmer WARNER (g)?; Arvell SHAW (b)?; Edmund McCONNEY (dm)?; Billie HOLIDAY (voc). Mêmes lieu & date / Same place & date
9. THE BLUES ARE BREWIN’ (L.Alter-E.de Lange) (TMX 140 ?) 3’40
10. ENDIE (L.Alter-E.de Lange) (TMX 141-A4) 2’19

Personnel as for 2 to 8. Moins/minus Mutt CAREY & L. THOMPSON ; plus Billie HOLIDAY. Mêmes lieu & date / Same place & date
11. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS ? (L.Alter-E.de Lange) (TMX ? ) 1’44

LOUIS ARMSTRONG AND HIS ORCHESTRA
Formation comme pour 9 & 10 / Personnel as for 9 & 10. Moins/minus B. HOLIDAY. Los Angeles, 17/10/1946
12. ENDIE (L.Alter-E.de Lange) (RCA-Victor 20-2087/mx.D6-VB-2190- ) 2’50
13. THE BLUES ARE BREWIN’ (L.Alter-E.de Lange) (RCA-Victor test/mx.D6-VB-2191- ) 2’55

LOUIS ARMSTRONG AND HIS DIXIELAND SEVEN
Louis ARMSTRONG (tp, voc)?; “Kid” ORY (tb)?; Barney BIGARD (cl)?; Charlie BEAL (p)?; “Bud” SCOTT (g)?; “Red” CALLENDER (b)?; Minor “Ram” HALL (dm). Los Angeles, 17/10/1946
14. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS?(L.Alter-E.de Lange)
(RCA-Victor 20-2087/mx.D6-VB-2192-1) 2’59
15. WHERE THE BLUES WERE BORN IN NEW ORLEANS (Capleton-Dixon)
(RCA-Victor 20-2088/mx.D6-VB-2193-1) 3’06
16. MAHOGANY HALL STOMP (S.Williams) (RCA-Victor 20-2088/mx.D6-VB-2194-2) 2’55

LOUIS ARMSTRONG with EDMUND HALL and his Café Society Uptown Orchestra
Louis ARMSTRONG (tp, voc)?; Irving RANDOLPH (tp)?; Henderson CHAMBERS (tb)?; Edmund HALL (cl, ldr)?; Charles BATEMAN (p)?; Johnny WILLIAMS (b)?; James CRAWFORD (dm).
New York City (Carnegie Hall Concert), 8/02/1947
17. FLEE AS A BIRD (trad) & OH ! DIDN’T HE RAMBLE ?
(trad) (acetate) 3’10
18. DIPPERMOUTH BLUES (J.Oliver-L.Armstrong)
(acetate) 2’12
19. MAHOGANY HALL STOMP (S.Williams)
(acetate) 2’50
20. MUSKRAT RAMBLE (Ed Ory)
(acetate) 2’20
21. BLACK AND BLUE (T.W.Waller-A.Razaf)
(acetate) 4’20
22. LAZY RIVER (S.Arodin-H.Carmichael)
(acetate) 3’20
23. YOU, RASCAL YOU (S.Theard) (acetate) 3’35


LOUIS ARMSTRONG with EDMUND HALL and his Café Society Uptown Orchestra
Louis ARMSTRONG (tp, voc)?; Irving RANDOLPH (tb)?; Henderson CHAMBERS (tb)?; Edmund HALL (cl, ldr)?; Charles BATEMAN (p)?; Johnny WILLIAMS (b)?; James CRAWFORD (dm). New York City (Carnegie Hall Concert), 8/02/1947
1. SAVE IT, PRETTY MAMA (Don Redman) (acetate) 2’55
2. AIN’T MISBEHAVIN’ (T.W.Waller-A.Razaf) (acetate) 2’55
3. St. LOUIS BLUES (W.C.Handy) (acetate) 2’51
4. ROCKIN’ CHAIR (H.Carmichael) (acetate) 4’55
5. TIGER RAG (D.J.LaRocca) (acetate) 4’34
6. CONFESSIN’ (That I Love You) (Neiburg-Dougherty-Reynolds) (acetate) 4’10
7. STRUTTIN’ WITH SOME BARBECUE (Lil Hardin) (acetate) 1’45

LOUIS ARMSTRONG AND HIS ORCHESTRA
Louis ARMSTRONG (tp, voc)?; Thomas GRIDDER, Robert BUTLER, Ed MULLENS, William “Chifie” SCOTT (tp)?; Alton “Slim” MOORE, Russell “Big Chief” MOORE, James WHITNEY (tb)?; Arthur DENNIS, Amos GORDON (as)?; John SPARROW, Eli “Lucky” THOMPSON (ts)?; Joe GARLAND (ts, dir)?; Ernest THOMPSON (bars)?; Earl MASON (p)?; Elmer WARNER (elg)?; Arvell SHAW (b)?; Sidney CATLETT (dm)?; Velma MIDDLETON (voc sur/on 11)?; Billie HOLIDAY (voc sur/on 12). New York City (Carnegie Hall Concert), 8/02/1947
8. Theme & STOMPIN’ AT THE SAVOY (B.Goodman-E.Sampson-A.Razaf) (acetate) 3’37
9. I CAN’T GIVE YOU ANYTHING BUT LOVE (McHugh-Fields) (acetate) 2’53
10. BACK O’ TOWN BLUES (L.Armstrong-L.Russell) (acetate) 4’45
11. YOU WON’T BE SATISFIED (F.James-L.Stock) (acetate) 3’40
12. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS? (L.Alter-E.de Lange) (acetate) 4’16
13. ROLL ‘EM (M.L.Williams) (acetate) 1’43

LOUIS ARMSTRONG AND HIS ORCHESTRA
Formation comme pour 8 à 13 / Personnel as for 8 to 13. Plus Wadder WILLIAMS (tb) ; James “Coatsville” HARRIS (dm) remplace/replaces S. CATLETT. New York City, 12/03/1947
14. I WONDER, I WONDER, I WONDER (D.Hutchins) (RCA-Victor 20-2228/mx.D7-VB-647-1) 2’32
15. I BELIEVE (S.Kahn-J.Styne) (RCA-Victor 20-2240/mx.D7-VB-648-1) 2’58
16. WHY DOUBT, MY LOVE? (L.Armstrong-M.Mercer) (RCA-Victor test/mx.D7-VB-649- ) 3’19
17. IT TAKES TIME (A.Korb) (RCA-Victor 20-2228/mx.D7-VB-650-1) 2’37
18. YOU DON’T LEARN THAT IN SCHOOL (R.Alfred-M.Fisher) (RCA-Victor 20-2240/mx.D7-VB-651-1) 2’41


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