曲目表： ESQUIRE ALL-AMERICANS AWARD WINNERS Louis ARMSTRONG (tp, voc)?; Charlie SHAVERS (tp sur/on 1)?; Neal HEFTI (tp sur/on 2)?; Jimmy HAMILTON (cl)?; Johnny HODGES (as)?; Carlos W. “Don” BYAS (ts)?; Duke ELLINGTON (p, pres)?; Billy STRAYHORN (p sur/on 2)?; Remo PALMIERI (g)?; Grieg “Chubby” JACKSON (b)?; William “Sonny” GREER (dm)?; Leonard FEATHER (arr). New York City, 10/01/1946 1. LONG LONG JOURNEY (L.Feather) (RCA-Victor 40-4001/mx.PD6-VC-5020-1) 4’30 2. SNAFU (L.Feather) (RCA-Victor 40-4001/mx.PD6-VC-5021-1) 4’12
LOUIS ARMSTRONG AND ELLA FITZGERALD with BOB HAGGART’S ORCHESTRA Louis ARMSTRONG (tp, voc)?; Billy BUTTERFIELD (tp)?; Bill STEGMEYER (cl, as)?; George KOENIG (as)?; Jack GREENBERG, Art DRELINGER (ts)?; Milton SCHATZ (bar sax)?; Joe BUSHKIN (p)?; Danni PERRI (g)?; Trigger ALPERT (b)?; William “Cozy” COLE (dm)?; Ella FITZGERALD (voc)?; Bob HAGGART (dir). New York City, 18/01/1946 3. YOU WON’T BE SATISFIED(F.James-L.Stock) (Decca 23496/mx.W 73285-A) 2’52 4. THE FRIM FRAM SAUCE (J.Ricardel-R.Evans) (Decca 23496/mx.W 73286-A) 3’12
LOUIS ARMSTRONG AND HIS ORCHESTRA Louis ARMSTRONG (tp, voc)?; Ed MULLENS, Ludwig JORDAN, William “Chifie” SCOTT, Andrew “Fatso” FORD (tp)?; Adam MARTIN, Norman POWE, Al COBB, Russell “Big Chief” MOORE (tb)?; Don HILL, Amos GORDON (as)?; John SPARROW (ts)?; Joe GARLAND (ts, ldr)?; Ernest THOMPSON (bar sax)?; Ed SWANSTON (p)?; Elmer WARNER (g)?; Arvell SHAW (b)?; George “Butch” BALLARD (dm)?; Velma MIDDLETON (voc). New York City, 27/04/1946 5. LINGER IN MY ARMS A LITTLE LONGER (H.Magdison) (RCA-Victor 20-1912/mx.D6-VB-1736-1) 2’58 6. WHATTA GONNA DO? (Skylarck-Lewis) (RCA-Victor 20-1891/mx.D6-VB-1737-1) 2’54 7. NO VARIETY BLUES (L.Armstrong-Fairbanks) (RCA-Victor 20-1891/mx.D6-VB-1738-2) 2’53 8. JOSEPH AND HIS BRUDDERS (L.Armstrong-Bell) (RCA-Victor 20-2612/mx.D6-VB-1739-1) 3’01 9. BACK O’ TOWN BLUES (L.Amstrong-L.Russell) (RCA-Victor 20-1912/mx.D6-VB-1740- ) 3’15
LOUIS ARMSTRONG AND HIS HOT SEVEN (10 & 12) / HIS HOT SIX (11 & 13) Louis ARMSTRONG (tp, voc)?; Victor “Vic” DICKENSON (tb)?; Barney BIGARD (cl)?; Charlie BEAL (p)?; Allen REUSS (g)?; Red CALLENDER (b)?; Zutty SINGLETON (dm). Los Angeles, 6/09/1946 10. I WANT A LITTLE GIRL (Moll-Mencher) (Swing 223/mx.D6-VB-2149-1) 3’00 11. SUGAR (M.Pinkard-Mitchell-Alexander) (Swing 251/mx.D6-VB-2150-1) 3’23 12. BLUES FOR YESTERDAY (L.Carr) (Swing 223/mx.D6-VB-2151-1) 2’35 13. BLUES FOR THE SOUTH (W.Johnstone) (Swing 251/mx.D6-VB-2152-1) 3’01
“NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS Louis ARMSTRONG (tp, voc)?; Edward “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL (p)?; Arthur “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; Arthur “Zutty” SINGLETON(dm)?; plus George KENNEDY, Charles YUKL (tp)?; Ellis RONKA, Murray McEACHERN (tb)?; Robert HENNON, John HAMILTON (cl, ts)?; Phillip MURROW (bars)?; George E. GREEN (tuba)?; John BOUDREAUX (dm). Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946 14. FLEE AS A BIRD (trad)/WHEN THE SAINTS GO MARCHIN’ IN (trad) (TMX 1-3 & 3A-5) 3’08
Septet as for 14. Moins les 9 / minus the 9 studio musicians. Mêmes lieu & date / Same place & date 15. WEST END BLUES (J.Oliver) (TMX 7-3) 2’49 16. TIGER RAG (D.J.LaRocca) (TMX 33-3) 2’21 17. WHERE THE BLUES WERE BORN IN NEW ORLEANS (Capleton-Dixon) (TMX 42- ) 4’36 18. BUDDY BOLDEN BLUES (2 takes) (F.Morton) (TMX 53 G1-3&G1-4) 1’44 19. BASIN STREET BLUES (Sp.Williams) (TMX 53 S41/42) 4’42 20. RAYMOND STREET BLUES plus 4 HIGH NOTES ON TRUMPET (L.Armstrong) (TMX 53 G2-3) 1’24 21. MARYLAND, MY MARYLAND (trad) (TMX 81 ?) 2’59
Louis ARMSTRONG (tp) & prob. Arthur SCHUTT (p) Mêmes lieu & date / Same place & date 22. BRAHMS’ LULLABY (J.Brahms) (TMX 30 B-2) 0’45
Septet as for 15 to 21. Billie HOLIDAY & chœur/choir (voc) Mêmes lieu & date / Same place & date 23. FAREWELL TO STORYVILLE (Good Time Flat Blues) (C.Williams) (TMX 84) 3’13
“NEW ORLEANS” (UA film) PRÉ-ENREGISTREMENTS / PRE-RECORDINGS Louis ARMSTRONG (tp, voc)?; “Kid” ORY (tb)?; A. Barney BIGARD (cl)?; Charlie BEAL(P)?; A. “Bud” SCOTT (g)?; George “Red” CALLENDER (b)?; A. “Zutty” SINGLETON (dm). Hollywood (Studio & Artists Recorders), entre/between 5/09 & 8/10/1946 1. MILENBERG JOYS (P.Mares-L.Roppolo-F.Morton) (TMX 62-4) 1’54
Septet as for 1. Plus Thomas “Mutt” CAREY (tp) & Eli “Lucky” THOMPSON (ts). Mêmes lieu & date / Same place & date 2. DIPPERMOUTH BLUES (lent/slow) (J.Oliver-L.Armstrong) (TMX 120-1) 1’21 3. DIPPERMOUTH BLUES (rapide/fast) (J.Oliver-L.Armstrong) (TMX 120-4) 1’33 4. SHIMME-SHA-WABLE (S.Williams) (TMX 130-1) 2’04 5. BALLIN’ THE JACK (C.Smith) (TMX 131-2) 2’06 6. KING PORTER STOMP (F.Morton) (TMX 149-2) 2’32 7. MAHOGANY HALL STOMP (lent/slow) (S.Williams) (TMX 183-1) 3’27 8. MAHOGANY HALL STOMP (rapide/fast) (S.Williams) (TMX 182-5) 3’32
LOUIS ARMSTRONG AND HIS ORCHESTRA Louis ARMSTRONG (tp, voc)?; Robert BUTLER, Louis GRAY, Ed MULLENS, Andrew “Fatso” FORD (tp)?; Russell “Big Chief” MOORE, Wadder WILLIAMS, Nat ALLEN, James WHITNEY (tb)?; Don HILL, Amos GORDON (as)?; John SPARROW (ts)?; Joe GARLAND (ts, dir)?; Ernest THOMPSON (bars)?; Earl MASON (p)?; Elmer WARNER (g)?; Arvell SHAW (b)?; Edmund McCONNEY (dm)?; Billie HOLIDAY (voc). Mêmes lieu & date / Same place & date 9. THE BLUES ARE BREWIN’ (L.Alter-E.de Lange) (TMX 140 ?) 3’40 10. ENDIE (L.Alter-E.de Lange) (TMX 141-A4) 2’19
Personnel as for 2 to 8. Moins/minus Mutt CAREY & L. THOMPSON ; plus Billie HOLIDAY. Mêmes lieu & date / Same place & date 11. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS ? (L.Alter-E.de Lange) (TMX ? ) 1’44
LOUIS ARMSTRONG AND HIS ORCHESTRA Formation comme pour 9 & 10 / Personnel as for 9 & 10. Moins/minus B. HOLIDAY. Los Angeles, 17/10/1946 12. ENDIE (L.Alter-E.de Lange) (RCA-Victor 20-2087/mx.D6-VB-2190- ) 2’50 13. THE BLUES ARE BREWIN’ (L.Alter-E.de Lange) (RCA-Victor test/mx.D6-VB-2191- ) 2’55
LOUIS ARMSTRONG AND HIS DIXIELAND SEVEN Louis ARMSTRONG (tp, voc)?; “Kid” ORY (tb)?; Barney BIGARD (cl)?; Charlie BEAL (p)?; “Bud” SCOTT (g)?; “Red” CALLENDER (b)?; Minor “Ram” HALL (dm). Los Angeles, 17/10/1946 14. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS?(L.Alter-E.de Lange) (RCA-Victor 20-2087/mx.D6-VB-2192-1) 2’59 15. WHERE THE BLUES WERE BORN IN NEW ORLEANS (Capleton-Dixon) (RCA-Victor 20-2088/mx.D6-VB-2193-1) 3’06 16. MAHOGANY HALL STOMP (S.Williams) (RCA-Victor 20-2088/mx.D6-VB-2194-2) 2’55
LOUIS ARMSTRONG with EDMUND HALL and his Café Society Uptown Orchestra Louis ARMSTRONG (tp, voc)?; Irving RANDOLPH (tp)?; Henderson CHAMBERS (tb)?; Edmund HALL (cl, ldr)?; Charles BATEMAN (p)?; Johnny WILLIAMS (b)?; James CRAWFORD (dm). New York City (Carnegie Hall Concert), 8/02/1947 17. FLEE AS A BIRD (trad) & OH ! DIDN’T HE RAMBLE ? (trad) (acetate) 3’10 18. DIPPERMOUTH BLUES (J.Oliver-L.Armstrong) (acetate) 2’12 19. MAHOGANY HALL STOMP (S.Williams) (acetate) 2’50 20. MUSKRAT RAMBLE (Ed Ory) (acetate) 2’20 21. BLACK AND BLUE (T.W.Waller-A.Razaf) (acetate) 4’20 22. LAZY RIVER (S.Arodin-H.Carmichael) (acetate) 3’20 23. YOU, RASCAL YOU (S.Theard) (acetate) 3’35
LOUIS ARMSTRONG with EDMUND HALL and his Café Society Uptown Orchestra Louis ARMSTRONG (tp, voc)?; Irving RANDOLPH (tb)?; Henderson CHAMBERS (tb)?; Edmund HALL (cl, ldr)?; Charles BATEMAN (p)?; Johnny WILLIAMS (b)?; James CRAWFORD (dm). New York City (Carnegie Hall Concert), 8/02/1947 1. SAVE IT, PRETTY MAMA (Don Redman) (acetate) 2’55 2. AIN’T MISBEHAVIN’ (T.W.Waller-A.Razaf) (acetate) 2’55 3. St. LOUIS BLUES (W.C.Handy) (acetate) 2’51 4. ROCKIN’ CHAIR (H.Carmichael) (acetate) 4’55 5. TIGER RAG (D.J.LaRocca) (acetate) 4’34 6. CONFESSIN’ (That I Love You) (Neiburg-Dougherty-Reynolds) (acetate) 4’10 7. STRUTTIN’ WITH SOME BARBECUE (Lil Hardin) (acetate) 1’45
LOUIS ARMSTRONG AND HIS ORCHESTRA Louis ARMSTRONG (tp, voc)?; Thomas GRIDDER, Robert BUTLER, Ed MULLENS, William “Chifie” SCOTT (tp)?; Alton “Slim” MOORE, Russell “Big Chief” MOORE, James WHITNEY (tb)?; Arthur DENNIS, Amos GORDON (as)?; John SPARROW, Eli “Lucky” THOMPSON (ts)?; Joe GARLAND (ts, dir)?; Ernest THOMPSON (bars)?; Earl MASON (p)?; Elmer WARNER (elg)?; Arvell SHAW (b)?; Sidney CATLETT (dm)?; Velma MIDDLETON (voc sur/on 11)?; Billie HOLIDAY (voc sur/on 12). New York City (Carnegie Hall Concert), 8/02/1947 8. Theme & STOMPIN’ AT THE SAVOY (B.Goodman-E.Sampson-A.Razaf) (acetate) 3’37 9. I CAN’T GIVE YOU ANYTHING BUT LOVE (McHugh-Fields) (acetate) 2’53 10. BACK O’ TOWN BLUES (L.Armstrong-L.Russell) (acetate) 4’45 11. YOU WON’T BE SATISFIED (F.James-L.Stock) (acetate) 3’40 12. DO YOU KNOW WHAT IT MEANS TO MISS NEW ORLEANS? (L.Alter-E.de Lange) (acetate) 4’16 13. ROLL ‘EM (M.L.Williams) (acetate) 1’43
LOUIS ARMSTRONG AND HIS ORCHESTRA Formation comme pour 8 à 13 / Personnel as for 8 to 13. Plus Wadder WILLIAMS (tb) ; James “Coatsville” HARRIS (dm) remplace/replaces S. CATLETT. New York City, 12/03/1947 14. I WONDER, I WONDER, I WONDER (D.Hutchins) (RCA-Victor 20-2228/mx.D7-VB-647-1) 2’32 15. I BELIEVE (S.Kahn-J.Styne) (RCA-Victor 20-2240/mx.D7-VB-648-1) 2’58 16. WHY DOUBT, MY LOVE? (L.Armstrong-M.Mercer) (RCA-Victor test/mx.D7-VB-649- ) 3’19 17. IT TAKES TIME (A.Korb) (RCA-Victor 20-2228/mx.D7-VB-650-1) 2’37 18. YOU DON’T LEARN THAT IN SCHOOL (R.Alfred-M.Fisher) (RCA-Victor 20-2240/mx.D7-VB-651-1) 2’41
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